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Sunset after the Rain Sunset after the Rain
© Fitzwilliam Museum

Sunset after the Rain

Aelbert Cuyp

Art Funded
1975
Dimensions
84 x 70 cm
Vendor
Agnew's
Shows Cuyp's characteristic attention to atmosphere.

Its oval shape is apparently unique in his work - probably executed for a particular location, for example an oval opening in panelling.

Provenance

By 1834, William Wells of Redleaf; Dr Lewis S.Fry, cousin of Roger Fry.

Oil on panel

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Art we’ve helped buy at Fitzwilliam Museum

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Six leaves from a Psalter
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Interpose II
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Eight Ancient Greek coins
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Dish
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Dish
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Cup and cover
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Coronation double-guldiner of Maximilian I
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Convolvulus and Tree-frog
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Bowl with Squashed Sides
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Bowl with deep sides and narrow base
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Bowl on narrow base
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Bowl on high foot
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Bowl
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Bowl
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Bowl
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Bowl
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Bowl
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Book Plates
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Boats with washing
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Blue Twisted Form
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Black and White Mist Tall Box
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Before
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Beaker
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Basin for a Ewer
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Banana Dish
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Baby Bud Pumpkin Box
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Aura VII Torso
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Attic red-figure wine cup
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Athena Sending the Furies to Punish the Daughters of Cerops with Madness
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Artichoke Parachute Ring & Cherry Earrings
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Apples and Tea-cup
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Apollo Pythion
 Acquired Not in Review
Anglo Saxon runic gold coin
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Anglo Saxon coin
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An Old Woman Spinning, Seated, facing to Front
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An Anemone Blossom
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An Allegorical Monument to Sir Isaac Newton
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Album of 133 prints
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After
 Acquired 1964
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Abraham and the Angels
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A Windmill
 Acquired 2002
A Study of a Bearded Man
 Acquired 1980
A sketch book of 8 humorous drawings
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A Silver Hot-Water Jug
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A set of Five Famille Verte Vases
 Acquired 1948
A Seated Boy with a Column
 Acquired 1983
A Romantic Landscape
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A Rider on a Rearing Horse
 Acquired 1999
A poet's monument, attended by two female mourners
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A Philosopher pointing to the Ground, a Youth beside him
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A Figure of Vishnu
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A Dream of Nine Muses
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A Doctor Lecturing
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A bronze sword and two plug bayonets
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A Bacchanalian Feast
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9 flower studies
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8 volumes formerly belonging to George Romney
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72 mezzotints
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5 Drawings
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2 panels & 2 fragments & a shield
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15 coins of King Offa
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 Acquired 1925
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Renoir's La Place Clichy presents a charming and apparently spontaneous impression of Parisian life. It is easy to see from this picture why one commentator described the artist as 'the true painter of young women, the bloom of whose skin, velvet flesh, darting eye, and elegant finery, he renders with sunlit gaiety.'

The 14th-century Macclesfield Psalter contains delightfully surreal marginal illustrations, including a dog dressed as a bishop, a rabbit riding a hound, and a series of grotesque figures with faces in their bottoms and legs emerging from their shoulders.

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