Supporting museums Art we've helped buy The Aberystwyth Torc
The Aberystwyth Torc The Aberystwyth Torc
© National Museum Wales

The Aberystwyth Torc

Bronze Age

Art Funded
1966
Vendor
Sotheby's
Tara type torc made of strips soldered together to form a cruciform section: the terminals have been solderd on.

Diam, 37 cm, Weight, 237 grams. Tara type is characteristic of Late Middle Bronze Age and is of Irish origin.

Gold

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National Museum Cardiff

Cathays Park, Cardiff, South Glamorgan, CF10 3NP
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Art we’ve helped buy at National Museum Cardiff

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Group of works by John Piper
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Winchester Cathedral
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William & Mary silver-gilt sideboard dish and ewer
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Welsh Landscape with Two Women Knitting
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View of the Palazzo Loredan dell'Ambasciatore on the Grand Canal, Venice
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View of Andernacht on the Rhine
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Valley of the Mawddach with Cader Idns
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Untitled (History)
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Untitled
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Two handled cup & cover
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Two Greek coins
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Turandot
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Trees
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Toilet Set
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Three Bronze Age Torcs
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Thirty-six plates and dishes
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The Wynnstay Organ
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The Williams Centrepiece
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The Will to Proceed to the End of the Possible
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The Rug Seller, Treboul
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The Rise of the Skylark
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The Rialto Bridge and Palazzo dei Camerlenghi
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The Parc-y-meirch hoard
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The Jones Conversation Piece
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The Hour of Prayer
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The Finding of Moses
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The Falls of Terni
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The Exeter Dessert Service
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The Bacino di San Marco, Looking North
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The Bachelor's Breakfast Table
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The Actor
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The Aberystwyth Torc
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Tankard
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Swansea Supper Service
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Swansea Pottery Tea Canister
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Swansea looking towards the sea
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Sur le Trottoir
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Sunset
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Storr Rock, Lady's Cove - Le Soir
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Still Life with Three Chinese Vases II
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Stage design for two Byzantine gentleman for 'Attilla'
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Souvenir of Switzerland
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Soup tureen & stand
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Six Greek coins
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Sir Watkin Williams Wynn, 4th Baronet & Charlotte Williams Wynn
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Sinker
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Silver sugar bowl and cover
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Sèvres plate and vase
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Regency candelabrum
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Red Stripe
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Raethro Pink
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Punch-bowl
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Profile of a Man in a Bowler Hat & A Woman Walking
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Portrait of Richard Wilson
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Portrait of Elizabeth Harriet Warren (Viscountess Bulkeley) as Hebe
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Portrait of a Lady
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Portrait group
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Portfolio table by Hugh Reveley and William Jones
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Porcelain Wall
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Perseus and the Graiae
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Pembroke Town and Castle
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Park Village East - Winter
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Pair of sauceboats
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Nymph Kissing Cupid
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Nine pieces of Swansea and Nantgarw porcelain
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Nature Morte au Poron
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Mountain Landscape - Cwm Trifaen
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Meeting of the Fools
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Maiolica dish
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Madonna and Child with Saints Francis, Lucy and attendant Angels
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Llandberis Church
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Liverpool Dock
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Larkspurs
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Landscape with St Philip Baptising the Eunuch
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Landscape with Arched Gateway
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Landscape
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La Falaise à Penarth, Le Soir Marée Basse
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Kilgerran Castle
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Kangchenjunga from Darjeeling
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Kamikaze
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Iron forge between Dolgelly and Barmouth & Rhaeadr-y-Wennol near LLanrwst
 Acquired 1936
Homura I (Inferno)
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Hilly Landscape with Classical Figures
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Henry Knight of Tythegston with his three children
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Heavenly Welcome: A Model for a Memorial to Mary Ellen Peel and her son Archibald
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Head
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Hanako, Type A
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Hall chair
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Hagar and Ishmael in the Wilderness
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Gothic-revival ewer
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Four Casters
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Five works on paper
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Figure of a Chinaman
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Empirical Jungle
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Diptych: The Balcony
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Dinas Mawddii
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Design for a Villa at Llanaeron
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David Jackson Collection of Silver
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Dark Entrance
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Crazy Gondolier
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Collection of silver
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Collection of drawings
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Collection of 9 etchings and engravings
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Christening Bowl
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Charlotte Grenville, wife of Sir Watkin Williams Wynn and her children
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Canigou in Snow
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Candlestick
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Bust of Napoleon I
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Bust of Edward, Lord Herbert of Cherbury
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Bust of a Man
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Burton Hoard
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Blaenau Ffestiniog Circle
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Bergere Assise
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Beach Girl
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Aurora
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Arcadian Landscape
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An Archery Meeting at Gwersyllt Park, Denbighshire
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Alfred Gilbert Works of Art
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A Welsh Landscape
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A Street in Tours & Man with a Bagpipe
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A Grand View of Snowdon
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A Cottage in a Cornfield
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A Calm
 Acquired 1993
8 Drawings
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6 pieces of porcelain
 Acquired Not in Review
35 small drawings of Welsh scenery
 Acquired 1942
1) Rhyl Sands; 2) Une Trouvaille a Pompei
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1) North view of Margam House, Glamorgan; 2) South view of Margam House, Glamorgan
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1) Blown-away Vase, Over the Edge, Firework XII, 2008; 2) Vase: Water of Greenness, 2008
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Nineteen of Nicolas Poussin's paintings take Moses as their subject. The Finding of Moses from 1651 is distinguished not only by the animated detail of the foreground scene, but also by the accuracy of the archaeological background.

A late still life, Picasso's Nature Morte aux Poron reworks the classic genre as an exercise in Cubist angularity. While the palette reflects the artist's post-war shift away from darker colours in favour of brighter, lighter shades, the objects themselves are long-established symbols in the artist's artistic vocabulary.

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