Formerly attributed to Cima, now attributed to Montegna by Berenson, Longhi, and Morassi, based in its similarity to other work by the same master, eg.

the facial type of the Christ in the 'Ecce Homo' in the Louvre.


Anon, sale Christie's, 1933; Anon, sale Sotheby's, 1947; Anon, sale Christie's, 1951; Sir Thomas Barlow.

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