Supporting museums Art we've helped buy The Arundel Homerus
The Arundel Homerus The Arundel Homerus
© Ashmolean Museum

The Arundel Homerus

Unknown Artist

Art Funded
1985
Dimensions
119 cm
Vendor
Marian Fathers
The Arundel 'Homerus', part of an original Hellenistic Greek portrait statue, with hands joined, a unique pose in classical sculpture.

Provenance

Thomas Howard, Earl of Arundel; Cupid's Gardens, Lambeth; John Freeman, Fawley Court, Henley-on-Thames. The Marian Fathers, Henley-on-Thames.

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Collection of 14 coins
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Christian descending into the Valley of Humiliation
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Christ Carrying the Cross
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Christ and the Woman of Samaria
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Chinese ritual vessel
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Chalgrove II Hoard
 Acquired 2004
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 Acquired 1938
Cattle and Haystack, Twilight & Essex Fields
 Acquired 1929
Catching the Steamer
 Acquired 1947
Castle Crag, Derwentwater
 Acquired 1923
Capriccio Landscape with Figures, a Bridge over a Stream
 Acquired 1989
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Caitya sculpture
 Acquired 1999
Cain & Abraham and Isaac
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Bust of Thomas Howard, Earl of Arundel
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Bronze figure - Fortuna
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British Troops in the Bois de Boulogne
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Boswood's Thigh and the Right Arm of Michelangelo's David
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Boar's Head Tureen
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Bell salt
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Basin with the arms of Spannocchi
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Autumn Landscape
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Assyrian relief
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Apples in a Bag
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Anglo-Saxon bowl
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Angelica encountering the wounded Medoro
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Angel Carrying a Torch
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An Allegory of Justice and Vanity
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Album of portrait drawings
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Album of drawings
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Abraham and Hagar Surprised by Sarah
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A View of Southampton water
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A Study of Henry Irving as Becket
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A Man leading a Horse
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A Head of a Woman
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A Farmyard with a Well
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A drawing of the Virgin and Child
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A collection of Japanese metalwork sword fittings
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A collection of 45 gold snuff boxes and objects of vertu
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21 pieces of Meiji ceramics
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 Acquired 1925
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 Acquired 2008
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 Acquired 2009
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Nominally inspired by Lucretius' De rerum natura, Piero di Cosimo's The Forest Fire takes its scientific subject and embellishes it with fantastical creatures from the artist's imagination: Bulls, bears, lions and deer-like creatures with human faces all flee wearily from a fire.

Rubens' portrait of Thomas Howard, 2nd Earl of Arundel dates from about 1629. The Earl was a great collector, and Rubens had painted the earl's wife a few years earlier on a visit to Antwerp. This drawing in pen and ink with a chalk base is unusually informal, reflecting perhaps the comfortable relationship between artist and patron.

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