Medusa is remarkable in many ways.

It stands at the confluence of several streams of interest that concerned Burra during the 1930s: his interest in Mexico and the art of Diego Rivera; his fondness for Spain and its art (in particular Goya's Black Paintings and etchings) and his distress at the Spanish Civil War; and his interest in Italy and the work of Magnasco. All this, combined with a knowledge of Surrealism, enabled him to create a series of remarkable images of impending destruction, of which this is one of the largest and most powerful. In purely technical terms, the work is an extraordinary tour-de-force. It is a remarkable display of the versatility of the watercolour medium, and an education in itself to an audience more familiar with the restrained style of the English School.

Provenance

Lefevre Gallery.


Manchester Art Gallery

Mosley Street, Manchester, Greater Manchester, M2 3JL
0161 235 8888
Website

Opening times

Daily, 10am – 5pm (Thu until 9pm) Closed 24, 25 Dec, Good Friday



Exhibitions at Manchester Art Gallery

Back to top