Supporting museums Art we've helped buy Thangka from Buryatia and Tsakli
Thangka from Buryatia and Tsakli Thangka from Buryatia and Tsakli
Thangka from Buryatia and Tsakli Thangka from Buryatia and Tsakli
Thangka from Buryatia and Tsakli Thangka from Buryatia and Tsakli
© Ashmolean Museum
© Ashmolean Museum
© Ashmolean Museum

Thangka from Buryatia and Tsakli

Himalayan Buddhist

Art Funded
2009
Dimensions
1) 41 x 63 cm; 2) 48.5 x 37.5 cm; 3) 25.5 x 20.5 cm
Bequeathed by
Naomi G Weaver through The Art Fund
A collection of three Himalayan Buddhist paintings: 1) Thangka of offerings on cotton, Buryatia, early 19th Century; 2) Thangka, Vaishravana, Buryatia, early 19th Century; 3) Tsakli of Vaishravana, 18-19th Century.

Part of a large bequest of works including etchings, aquatints and facsimile manuscripts.

Provenance

Naomi Weaver.

Paintings on textiles

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Art we’ve helped buy at Ashmolean Museum

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Wrestlers II
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Standing Figure of Vishnu
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St Mark the Evangelist
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Some Old Master drawings
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Small Naked Portrait
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Silver cup
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Silver bowl
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Siena
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Sheet of figure studies
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Sheba and Solomon
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Shallow bowl
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Self Portrait
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Selection of 11 drawings
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Seated Shepherd with Cows and Sheep in a Landscape
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Scaffolding inside St. Paul's & Fishmongers' Hall & London Street
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Ramparts of Montreuil
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Pair of six-fold screens
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Pair of screens
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Imari porcelain
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Ideal Head
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Group of drawings and prints
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Greystone
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Elijah at the Brook Cherith
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Collision of Particles
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Collection of gem impressions
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Collection of English Gold Coins
 Acquired 1946
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Christ Carrying the Cross
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Christ and the Woman of Samaria
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Chintz hanging from the Coromandel Coast
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Chinese ritual vessel
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Chalgrove II Hoard
 Acquired 2004
Ceiling Sketch for Mannheim Castle
 Acquired 1938
Cattle and Haystack, Twilight & Essex Fields
 Acquired 1929
Catching the Steamer
 Acquired 1947
Castle Crag, Derwentwater
 Acquired 1923
Capriccio Landscape with Figures, a Bridge over a Stream
 Acquired 1989
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 Acquired 2010
Caitya sculpture
 Acquired 1999
Cain & Abraham and Isaac
 Acquired 1968
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Boswood's Thigh and the Right Arm of Michelangelo's David
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Boar's Head Tureen
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Basin with the arms of Spannocchi
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Autumn Landscape
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Attendant bodhisattva
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Assyrian relief
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Apples in a Bag
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Animals and birds in a landscape
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Anglo-Saxon bowl
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Angelica encountering the wounded Medoro
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Angel Carrying a Torch
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An Allegory of Justice and Vanity
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Album of portrait drawings
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Album of drawings
 Acquired 2002
Abraham and Hagar Surprised by Sarah
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A Wooded Valley, Painswick & Old Water Mill, Bridgenorth
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A View of Southampton water
 Acquired 1963
A View of Mr Finche's Park
 Acquired 1963
A view of Golding, Constable's House at East Bergholt
 Acquired 1925
A View of Culzean Castle, Ayshire
 Acquired 1963
A Study of Henry Irving as Becket
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A Seated Bodhisattva
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A Portrait of Mrs Fuseli
 Acquired 1938
A painted fan on silk
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 Acquired 1922
A Mourning Knight
 Acquired 1964
A Man leading a Horse
 Acquired 1937
A Highland Scene - 'In Connernara'
 Acquired 1935
A Head of a Woman
 Acquired 1981
A Farmyard with a Well
 Acquired 1939
A drawing of the Virgin and Child
 Acquired 1956
A collection of Japanese metalwork sword fittings
 Acquired 1997
A collection of 45 gold snuff boxes and objects of vertu
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A Bowl of Pears & Seated Woman
 Acquired 1968
A Beach Scene with Fisherfolk
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9th century seated Buddha
 Acquired 1997
3 Drawings
 Acquired 2001
21 pieces of Meiji ceramics
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 Acquired 1947
10-Louis Piece of Louis XIII
 Acquired 1968
10 landscape drawings
 Acquired 1925
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 Acquired 2009
1) Qing Bai shallow dish; 2) Fujian ware bowl; 3) Qing Bai small footed cup
 Acquired 2010
1) Figure on horseback; 2) Delacroix letter
 Acquired 2008
1) Coastal scene with coach and retinue; 2) Coastal scene with ship aground
 Acquired 2009
1) Coast Scene; 2) Scene on a Rocky Coast
 Acquired 1931

Nominally inspired by Lucretius' De rerum natura, Piero di Cosimo's The Forest Fire takes its scientific subject and embellishes it with fantastical creatures from the artist's imagination: Bulls, bears, lions and deer-like creatures with human faces all flee wearily from a fire.

Rubens' portrait of Thomas Howard, 2nd Earl of Arundel dates from about 1629. The Earl was a great collector, and Rubens had painted the earl's wife a few years earlier on a visit to Antwerp. This drawing in pen and ink with a chalk base is unusually informal, reflecting perhaps the comfortable relationship between artist and patron.

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