Spanning the last 15 years with more than 20 works, it will include paintings, drawings and monotypes. All works are on loan from the artist and public and private UK collections, in order to avoid the environmental impact of international shipping.
Thuring’s nuanced compositions juxtapose signs and imagery from her recurring iconography of volcanoes, bricks, flora, tartan, human silhouettes, and submarines, to explore where natural and manufactured worlds collide.
Thuring grew up in Scotland near to the majestic Holy Loch, the site of the renowned Cold War US nuclear submarine base and next to the construction site for the first concrete North Sea oil rigs. This clash of nature and industry has continued throughout her practice: looming submarine silhouettes, vast industrial structures and striking landscapes frequently appearing across different series. Similarly, Thuring incorporates a recurrent brick motif in her work, which for her perfectly represents the natural and the manufactured in a single object.
Volcanoes and submarines lurk beneath, intermittently breaking through to the surface, obliquely referencing Thuring’s curiosity about what lies out of sight. Brick walls obstruct our view and untreated or woven canvas draw our attention to the surface of the painting itself and what might lie beyond. What is not obscured is often fragmented, disrupting the viewer’s familiarity of what they are looking at.