This is an ambitious retrospective of the Portuguese artist’s work that brings politics to the fore.
Spanning Rego’s career from the 1960s through to 2012, the works in this exhibition address António de Oliveira Salazar’s fascist regime, the 1998 referendum on legalising abortion in Portugal, the invasion of Iraq in 2003 by the United States and its allies and, from 2009, female genital mutilation – all of which resonate strongly with contemporary feminist and political issues.
Highlights of the exhibition include The Maids (1987), Snow White and her Stepmother (1995), Dancing Ostriches (1995) and Joseph’s Dream (1990).
Curated by independent curator Catherine Lampert and organised by MK Gallery (Milton Keynes), the exhibition includes over 80 loans.
Please note that this exhibition addresses challenging subjects and includes images of a suggestive and / or graphic nature. Parental and carer discretion may be required.
