Charting the development of metalpoint in Europe over six centuries.
Metalpoint practice formed the cornerstone of drawing education in the 1400s. Using a silver or gold stylus, artists would draw onto a roughened preparation that would ensure traces of the metal were left on the surface. As the line could not be easily erased and the tonal range was limited, it was a very exacting technique. When employed by a skilful hand however, the result was one of crystalline clarity and refinement.
Drawing together over 100 examples spanning from the 15th century to the present day – including portraits, free sketches and botanical and topographical studies – this exhibition explores the technical difficulties of using metalpoint and the many great artists who have risen to the challenge.
Among those featured are Leonardo, Raphael, Albrecht Dürer, Hans Holbein the Elder, Rembrandt, Edward Burne-Jones, William Holman Hunt, Bruce Nauman and Jasper Johns. One particular area of interest is how artists north and south of the Alps have been able to use metalpoint to different effect.