Mondrian and Nicholson: In Parallel

This exhibition charts the careers of Ben Nicholson and Piet Mondrian.

The former, a pioneer of abstract art in Britain, was profoundly influenced by a visit to the latter's Paris studio in 1934. Nicholson described the scene a decade later to art historian John Summerson: 'I remember after this first visit sitting at a café table on the edge of a pavement almost touching all the traffic going into and out of the Gare Montparnasse, & sitting there for a very long time with an astonishing feeling of quiet and repose (!) " the thing I remember most was the feeling of light in his room & the pauses and silences.'Follow the careers of both artists and track the ultimate fate of abstract art in Britain in this major show, which brings together paintings and reliefs by both artists.Enjoy a 10% discount in the Courtauld Gallery shop with your National Art Pass.

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In 1936, Nicholson made 1936 (white relief), described by Charles Darwent in Art Quarterly magazine as 'the absolute rejection of everything Nicholson, and most other English painters of his generation, had stood for earlier … Nicholson's Reliefs did away with individualism in favour of communalism, that perfect, Neo-Plastic world which Mondrian had preached.'


Venue details

The Courtauld Gallery Somerset House, Strand London WC2R 0RN 020 7848 2526 www.courtauld.ac.uk

Entry details

Free with National Art Pass (standard entry charge is £6)

Open daily from 10am until 6pm (final admission is at 5.30pm)

Member offers

10% off shop purchases

What the critics say

the-guardian

At its best it shows things that are just plain beautiful


the-telegraph

Despite its compendious character, this thoughtfully curated show is more than a mere anthology.


the-independent

The show is a kind of British identity parade, a magpie's nest of evolving ideas about living, hoping, imagining, wanting, and getting