Supporting museums Art we've helped buy Tankard
Tankard Tankard
Tankard Tankard
Photo: courtesy of Sotheby's
Photo: courtesy of Sotheby's

Tankard

Daniel Garnier

Art Funded
2005
Dimensions
Height: 21.5 cm
Vendor
Private vendor
Large covered mugs for beer were a common form of plate in late 17th century Britain.

It is rare for a Huguenot silversmith to produce a tankard, and this one is the largest and most sophisticated tankard by a Huguenot maker. The cover is stepped and domed, rising to an acorn knob, and has leaf ornament also used on the body of the tankard. The handle is vigorously chased with foliage.

Provenance

Sir Ernest Cassel; then by descent.

Silver gilt

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National Museum Cardiff

Cathays Park, Cardiff, South Glamorgan, CF10 3NP
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Art we’ve helped buy at National Museum Cardiff

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William & Mary silver-gilt sideboard dish and ewer
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View of the Palazzo Loredan dell'Ambasciatore on the Grand Canal, Venice
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View of Andernacht on the Rhine
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Valley of the Mawddach with Cader Idns
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Untitled (History)
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Untitled
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Two handled cup & cover
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Two Greek coins
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Turandot
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Trees
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Toilet Set
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Three Bronze Age Torcs
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Thirty-six plates and dishes
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The Wynnstay Organ
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The Williams Centrepiece
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The Will to Proceed to the End of the Possible
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The Rug Seller, Treboul
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The Rise of the Skylark
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The Bacino di San Marco, Looking North
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The Bachelor's Breakfast Table
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The Actor
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The Aberystwyth Torc
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Tankard
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Swansea Supper Service
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Swansea Pottery Tea Canister
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Swansea looking towards the sea
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Soup tureen & stand
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Sir Watkin Williams Wynn, 4th Baronet & Charlotte Williams Wynn
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Meeting of the Fools
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Maiolica dish
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Llandberis Church
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Liverpool Dock
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Landscape with Arched Gateway
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Homura I (Inferno)
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Head
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Hanako, Type A
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Hall chair
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Four Casters
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Five works on paper
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Figure of a Chinaman
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Empirical Jungle
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Diptych: The Balcony
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Dinas Mawddii
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Design for a Villa at Llanaeron
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David Jackson Collection of Silver
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Dark Entrance
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Crazy Gondolier
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Collection of silver
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Collection of drawings
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Collection of 9 etchings and engravings
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Christening Bowl
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Canigou in Snow
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Candlestick
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Bust of a Man
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A Cottage in a Cornfield
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Nineteen of Nicolas Poussin's paintings take Moses as their subject. The Finding of Moses from 1651 is distinguished not only by the animated detail of the foreground scene, but also by the accuracy of the archaeological background.

A late still life, Picasso's Nature Morte aux Poron reworks the classic genre as an exercise in Cubist angularity. While the palette reflects the artist's post-war shift away from darker colours in favour of brighter, lighter shades, the objects themselves are long-established symbols in the artist's artistic vocabulary.

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