Supporting museums Art we've helped buy Portrait of Francis Bacon
Portrait of Francis Bacon Portrait of Francis Bacon
© The artist

Portrait of Francis Bacon

Maggi Hambling

Art Funded
2002
Dimensions
38 x 28.2 cm
Presented by
Anonymous through The Art Fund
This work is part of a collection of late 20th-century British paintings donated through the Art Fund to four galleries.

All eight paintings take as their subject the human figure. The five works that are now at the Ashmolean enable the museum to show some of the main trends in British figurative painting of the last 20 years.

Provenance

The artist.

Oil on canvas

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Art we’ve helped buy at Ashmolean Museum

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Statue of an Athenian lady
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Standing Figure of Vishnu
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Stamping Coinage in the Mint, Calcutta
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St Mark the Evangelist
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Sparrows and Fruiting Tree
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Some Old Master drawings
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Small Naked Portrait
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Skye
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Sketchbook - 'Drawings of B.W. 1928-1930 and S.M.'s Hands'
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Silver cup
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Silver bowl
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Siena
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Shipping in a Breeze
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Sheet of figure studies
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Sheba and Solomon
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Shallow bowl
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Seven Greek Coins
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Selection of 11 drawings
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Seated Shepherd with Cows and Sheep in a Landscape
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Seascape - 'Sailing ships entering a Harbour'
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Scaffolding inside St. Paul's & Fishmongers' Hall & London Street
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Savery Collection of bronze antiquities
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Saturday Afternoon
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Ruins in the Alban Hills
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Rome seen through an arch of the Colosseum
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Ostrogothic Coins
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Girls Dressing
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Gazelle
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Collection of Portrait Engravings
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Collection of gem impressions
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Collection of English Gold Coins
 Acquired 1946
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Collection of drawings
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Collection of 14 coins
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Christ and the Woman of Samaria
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Chintz hanging from the Coromandel Coast
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Chinese ritual vessel
 Acquired 1996
Chalgrove II Hoard
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Cattle and Haystack, Twilight & Essex Fields
 Acquired 1929
Catching the Steamer
 Acquired 1947
Castle Crag, Derwentwater
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 Acquired 1989
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 Acquired 2010
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 Acquired 1999
Cain & Abraham and Isaac
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Bust of Thomas Howard, Earl of Arundel
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British Troops in the Bois de Boulogne
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Boar's Head Tureen
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Basin with the arms of Spannocchi
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Autumn Landscape
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Attendant bodhisattva
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Assyrian relief
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Apples in a Bag
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Animals and birds in a landscape
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Anglo-Saxon bowl
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Angelica encountering the wounded Medoro
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Angel Carrying a Torch
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An Exhibition at the Old Town Hall, Oxford
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An Allegory of Justice and Vanity
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Album of portrait drawings
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Album of drawings
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Abraham and Hagar Surprised by Sarah
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A View of Southampton water
 Acquired 1963
A View of Mr Finche's Park
 Acquired 1963
A view of Golding, Constable's House at East Bergholt
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A View of Culzean Castle, Ayshire
 Acquired 1963
A Study of Henry Irving as Becket
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A Seated Bodhisattva
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A Portrait of Mrs Fuseli
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A painted fan on silk
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A November Rainbow, Dolwyddalen Valley; November 11th, 1866, 1pm
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A Mourning Knight
 Acquired 1964
A Man leading a Horse
 Acquired 1937
A Highland Scene - 'In Connernara'
 Acquired 1935
A Head of a Woman
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A Farmyard with a Well
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A drawing of the Virgin and Child
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A collection of Japanese metalwork sword fittings
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A collection of 45 gold snuff boxes and objects of vertu
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A Bowl of Pears & Seated Woman
 Acquired 1968
A Beach Scene with Fisherfolk
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9th century seated Buddha
 Acquired 1997
3 Drawings
 Acquired 2001
21 pieces of Meiji ceramics
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2 Imari plates
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10-Louis Piece of Louis XIII
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10 landscape drawings
 Acquired 1925
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1) Qing Bai shallow dish; 2) Fujian ware bowl; 3) Qing Bai small footed cup
 Acquired 2010
1) Figure on horseback; 2) Delacroix letter
 Acquired 2008
1) Coastal scene with coach and retinue; 2) Coastal scene with ship aground
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1) Coast Scene; 2) Scene on a Rocky Coast
 Acquired 1931

Nominally inspired by Lucretius' De rerum natura, Piero di Cosimo's The Forest Fire takes its scientific subject and embellishes it with fantastical creatures from the artist's imagination: Bulls, bears, lions and deer-like creatures with human faces all flee wearily from a fire.

Rubens' portrait of Thomas Howard, 2nd Earl of Arundel dates from about 1629. The Earl was a great collector, and Rubens had painted the earl's wife a few years earlier on a visit to Antwerp. This drawing in pen and ink with a chalk base is unusually informal, reflecting perhaps the comfortable relationship between artist and patron.

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