Supporting museums Art we've helped buy Two Lovers in a Starlit Garden
Two Lovers in a Starlit Garden Two Lovers in a Starlit Garden
© Ashmolean Museum

Two Lovers in a Starlit Garden

Sir Joseph Noel Paton

Art Funded
2002
Dimensions
19.1 x 10.8 cm
Vendor
Maas Gallery
Paton became friends with Millais while at the Royal Academy and this work owes an obvious debt to Millais' composition of two figures in the 1850s (The Return of the Dove, 1851; Huguenot on St.

Bartholomew's Day, 1852; The Black Brunswicker, 1859-60, Liverpool). Paton declined Millais's invitation to join the Pre-Raphaelite Brotherhood burt remained sympathetic to their aims.

Provenance

By descent from the artist; The Maas Gallery, 2002.

Pen & brown ink on paper

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Art we’ve helped buy at Ashmolean Museum

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Christ and the Woman of Samaria
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Chinese ritual vessel
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Chalgrove II Hoard
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Cattle and Haystack, Twilight & Essex Fields
 Acquired 1929
Catching the Steamer
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Castle Crag, Derwentwater
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Capriccio Landscape with Figures, a Bridge over a Stream
 Acquired 1989
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 Acquired 2010
Caitya sculpture
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Cain & Abraham and Isaac
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Bust of Thomas Howard, Earl of Arundel
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Boar's Head Tureen
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Basin with the arms of Spannocchi
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Autumn Landscape
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Album of portrait drawings
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Album of drawings
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21 pieces of Meiji ceramics
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Nominally inspired by Lucretius' De rerum natura, Piero di Cosimo's The Forest Fire takes its scientific subject and embellishes it with fantastical creatures from the artist's imagination: Bulls, bears, lions and deer-like creatures with human faces all flee wearily from a fire.

Rubens' portrait of Thomas Howard, 2nd Earl of Arundel dates from about 1629. The Earl was a great collector, and Rubens had painted the earl's wife a few years earlier on a visit to Antwerp. This drawing in pen and ink with a chalk base is unusually informal, reflecting perhaps the comfortable relationship between artist and patron.

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