Supporting museums Art we've helped buy Sheet of figure studies
Sheet of figure studies Sheet of figure studies
© Ashmolean Museum

Sheet of figure studies

Francesco Maffei

Art Funded
2002
Dimensions
23.5 x 34 cm
Vendor
Agnew's
This sheet of vigorous, exploratory studies provides evidence of Venetian drawing practice in the baroque age and is convincingly attributed to Maffei.

The figure studies do not relate to specific figures in known paintings by Maffei, but some motifs are similar.

Provenance

F Lehmann, Berlin; Private collection, London; Sotheby's, New York, 2001; Agnew's, London.

Pen & brown ink & wash

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Art we’ve helped buy at Ashmolean Museum

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Statue of a nude youth
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Stamping Coinage in the Mint, Calcutta
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St Mark the Evangelist
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Sparrows and Fruiting Tree
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Some Old Master drawings
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Small Naked Portrait
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Skye
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Sketchbook - 'Drawings of B.W. 1928-1930 and S.M.'s Hands'
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Silver cup
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Silver bowl
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Shipping in a Breeze
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Shallow bowl
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Selection of 11 drawings
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Seated Shepherd with Cows and Sheep in a Landscape
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Seascape - 'Sailing ships entering a Harbour'
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Scaffolding inside St. Paul's & Fishmongers' Hall & London Street
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Savery Collection of bronze antiquities
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Ruins in the Alban Hills
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Rosamund and the Purple Jar (study)
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Ottoman candlestick
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Ostrogothic Coins
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Ideal Head
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Hoard of coins & jewellery
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Head of a Boy
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Greystone
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Gold pendant
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Girls Dressing
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Girl with a Hoe
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Gazelle
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Collection of silver
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Collection of sculpture
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Collection of Portrait Engravings
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Collection of gem impressions
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Christ and the Woman of Samaria
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Chinese ritual vessel
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Chalgrove II Hoard
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An Allegory of Justice and Vanity
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Album of portrait drawings
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Album of drawings
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Abraham and Hagar Surprised by Sarah
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A painted fan on silk
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A Man leading a Horse
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A Highland Scene - 'In Connernara'
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A Head of a Woman
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A Farmyard with a Well
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A drawing of the Virgin and Child
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A collection of Japanese metalwork sword fittings
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A collection of 45 gold snuff boxes and objects of vertu
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A Bowl of Pears & Seated Woman
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A Beach Scene with Fisherfolk
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9th century seated Buddha
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3 Drawings
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21 pieces of Meiji ceramics
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2 Imari plates
 Acquired 1947
10-Louis Piece of Louis XIII
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10 landscape drawings
 Acquired 1925
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 Acquired 2009
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 Acquired 2010
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 Acquired 2008
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 Acquired 2009
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Nominally inspired by Lucretius' De rerum natura, Piero di Cosimo's The Forest Fire takes its scientific subject and embellishes it with fantastical creatures from the artist's imagination: Bulls, bears, lions and deer-like creatures with human faces all flee wearily from a fire.

Rubens' portrait of Thomas Howard, 2nd Earl of Arundel dates from about 1629. The Earl was a great collector, and Rubens had painted the earl's wife a few years earlier on a visit to Antwerp. This drawing in pen and ink with a chalk base is unusually informal, reflecting perhaps the comfortable relationship between artist and patron.

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