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Supporting museums Art we've helped buy Pendant-seal: Winter/Garden Nymph protecting a flower
Pendant-seal: Winter/Garden Nymph protecting a flower Pendant-seal: Winter/Garden Nymph protecting a flower
Pendant-seal: Winter/Garden Nymph protecting a flower Pendant-seal: Winter/Garden Nymph protecting a flower
Pendant-seal: Winter/Garden Nymph protecting a flower Pendant-seal: Winter/Garden Nymph protecting a flower

Pendant-seal: Winter/Garden Nymph protecting a flower

Edward Burch RA

Art Funded
2002
Dimensions
Face: 3 x 2.5 cm; Mount: 3.8 cm
Art Fund grant
£2,200 (Total: £4,400)
Vendor
S J Phillips
It depicts a copy of a statuette by Falconet owned by Sir Joshua Reynolds and was mounted as a fob- seal and worn by Reynolds from his watch-chain and used to seal letters.

Provenance

Sir Joshua Reynolds RA commissioned the work; Esmerian Collection, New York until January 2001; S J Phillips.

Chalcedony in a gold mount

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Art we’ve helped buy at Ashmolean Museum

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Basin with the arms of Spannocchi
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Autumn Landscape
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Assyrian relief
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Animals and birds in a landscape
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Anglo-Saxon bowl
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Album of portrait drawings
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Album of drawings
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A View of Mr Finche's Park
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A Study of Henry Irving as Becket
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A Seated Bodhisattva
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A painted fan on silk
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A Mourning Knight
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A Man leading a Horse
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A Highland Scene - 'In Connernara'
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A Head of a Woman
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A Farmyard with a Well
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A drawing of the Virgin and Child
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A collection of Japanese metalwork sword fittings
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A collection of 45 gold snuff boxes and objects of vertu
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A Bowl of Pears & Seated Woman
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A Beach Scene with Fisherfolk
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9th century seated Buddha
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3 Drawings
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21 pieces of Meiji ceramics
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 Acquired 2009
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 Acquired 2009
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Nominally inspired by Lucretius' De rerum natura, Piero di Cosimo's The Forest Fire takes its scientific subject and embellishes it with fantastical creatures from the artist's imagination: Bulls, bears, lions and deer-like creatures with human faces all flee wearily from a fire.

Rubens' portrait of Thomas Howard, 2nd Earl of Arundel dates from about 1629. The Earl was a great collector, and Rubens had painted the earl's wife a few years earlier on a visit to Antwerp. This drawing in pen and ink with a chalk base is unusually informal, reflecting perhaps the comfortable relationship between artist and patron.

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Image credits

1 . Pendant-seal: Winter/Garden Nymph protecting a flower

© Ashmolean Museum

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