Supporting museums Art we've helped buy Pendant-seal: Winter/Garden Nymph protecting a flower
Pendant-seal: Winter/Garden Nymph protecting a flower Pendant-seal: Winter/Garden Nymph protecting a flower
Pendant-seal: Winter/Garden Nymph protecting a flower Pendant-seal: Winter/Garden Nymph protecting a flower
Pendant-seal: Winter/Garden Nymph protecting a flower Pendant-seal: Winter/Garden Nymph protecting a flower
© Ashmolean Museum
© Ashmolean Museum
© Ashmolean Museum

Pendant-seal: Winter/Garden Nymph protecting a flower

Edward Burch RA

Art Funded
2002
Dimensions
Face: 3 x 2.5 cm; Mount: 3.8 cm
Vendor
S J Phillips
It depicts a copy of a statuette by Falconet owned by Sir Joshua Reynolds and was mounted as a fob- seal and worn by Reynolds from his watch-chain and used to seal letters.

Provenance

Sir Joshua Reynolds RA commissioned the work; Esmerian Collection, New York until January 2001; S J Phillips.

Chalcedony in a gold mount

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Nominally inspired by Lucretius' De rerum natura, Piero di Cosimo's The Forest Fire takes its scientific subject and embellishes it with fantastical creatures from the artist's imagination: Bulls, bears, lions and deer-like creatures with human faces all flee wearily from a fire.

Rubens' portrait of Thomas Howard, 2nd Earl of Arundel dates from about 1629. The Earl was a great collector, and Rubens had painted the earl's wife a few years earlier on a visit to Antwerp. This drawing in pen and ink with a chalk base is unusually informal, reflecting perhaps the comfortable relationship between artist and patron.

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