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Silver bowl Silver bowl
© Ashmolean Museum

Silver bowl

Unknown Artist

Art Funded
1964
Dimensions
17 x 3 cm
Vendor
David Edge
Base decorated with chased design of rampant and crossed lions in a roundel enclosed by 2 circles.

Subsequently discovered to be a forgery, the bowl is ancient but the decoration is modern.

Silver

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Art we’ve helped buy at Ashmolean Museum

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Standing Figure of Vishnu
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Imari porcelain
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Illustrations to the 'Divine Comedy' by Dante
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Ideal Head
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Horatius Cocles defending the Bridge
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Hoard of coins & jewellery
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Head of the Roman emperor Marcus Aurelius
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Head of Siva
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Head of Noneen (Head of a Girl)
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Head of a Woman in a Whimple Head-Dress
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Head of a Boy
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Greystone
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Grave monument
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Girls Dressing
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Collision of Particles
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Collection of Portrait Engravings
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Collection of German stoneware
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Collection of gem impressions
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Collection of drawings, prints and sketchbooks
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Collection of drawings
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Collection of British Studio Pottery
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Collection of 14 coins
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Coastal Lansdcape
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Coast Scene with Fisherfolk gathering Seaweed
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Christian descending into the Valley of Humiliation
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Christ Church College, Oxford
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Christ Carrying the Cross
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Christ and the Woman of Samaria
 Acquired 1986
Chintz hanging from the Coromandel Coast
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Chinese ritual vessel
 Acquired 1996
Chalgrove II Hoard
 Acquired 2004
Ceiling Sketch for Mannheim Castle
 Acquired 1938
Cattle and Haystack, Twilight & Essex Fields
 Acquired 1929
Catching the Steamer
 Acquired 1947
Castle Crag, Derwentwater
 Acquired 1923
Capriccio Landscape with Figures, a Bridge over a Stream
 Acquired 1989
Calm Contortion Wine Cooler
 Acquired 2010
Caitya sculpture
 Acquired 1999
Cain & Abraham and Isaac
 Acquired 1968
Bust of Thomas Howard, Earl of Arundel
 Acquired 1987
Bust of Marie de Medicis
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Bust of Edward Salter, aged six
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Bust of a Cardinal
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Bronze figure - Fortuna
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British Troops in the Bois de Boulogne
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Bramerton Hills near Norwich
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Boy standing beside a seated Man
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Bowl with design of peonies
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Bouquet de Roses dans un Vase
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Boswood's Thigh and the Right Arm of Michelangelo's David
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Boar's Head Tureen
 Acquired 2006
Berck, Cloudy Landscape
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Bell salt
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Beech Top- Knole
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Basin with the arms of Spannocchi
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Autumn Landscape
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Attendant bodhisattva
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Assyrian relief
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Apples in a Bag
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Animals and birds in a landscape
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Anglo-Saxon bowl
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Angelica encountering the wounded Medoro
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Angel Carrying a Torch
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An Incident in the Story of the Vestal Claudia
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An Exhibition at the Old Town Hall, Oxford
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An Allegory of Life and Death (study)
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An Allegory of Justice and Vanity
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Album of portrait drawings
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Album of drawings
 Acquired 2002
Abraham and Hagar Surprised by Sarah
 Acquired 1997
A Wooded Valley, Painswick & Old Water Mill, Bridgenorth
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A View of Southampton water
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A View of Mr Finche's Park
 Acquired 1963
A view of Golding, Constable's House at East Bergholt
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A View of Culzean Castle, Ayshire
 Acquired 1963
A Study of Henry Irving as Becket
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A Seated Bodhisattva
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A Ruined House
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A Portrait of Mrs Fuseli
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A painted fan on silk
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A Mourning Knight
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A Man leading a Horse
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A Highland Scene - 'In Connernara'
 Acquired 1935
A Head of a Woman
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A Farmyard with a Well
 Acquired 1939
A drawing of the Virgin and Child
 Acquired 1956
A collection of Japanese metalwork sword fittings
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A collection of 45 gold snuff boxes and objects of vertu
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A Bowl of Pears & Seated Woman
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A Beach Scene with Fisherfolk
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9th century seated Buddha
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3 Drawings
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21 pieces of Meiji ceramics
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2 Imari plates
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10-Louis Piece of Louis XIII
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10 landscape drawings
 Acquired 1925
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 Acquired 2009
1) Qing Bai shallow dish; 2) Fujian ware bowl; 3) Qing Bai small footed cup
 Acquired 2010
1) Figure on horseback; 2) Delacroix letter
 Acquired 2008
1) Coastal scene with coach and retinue; 2) Coastal scene with ship aground
 Acquired 2009
1) Coast Scene; 2) Scene on a Rocky Coast
 Acquired 1931

Nominally inspired by Lucretius' De rerum natura, Piero di Cosimo's The Forest Fire takes its scientific subject and embellishes it with fantastical creatures from the artist's imagination: Bulls, bears, lions and deer-like creatures with human faces all flee wearily from a fire.

Rubens' portrait of Thomas Howard, 2nd Earl of Arundel dates from about 1629. The Earl was a great collector, and Rubens had painted the earl's wife a few years earlier on a visit to Antwerp. This drawing in pen and ink with a chalk base is unusually informal, reflecting perhaps the comfortable relationship between artist and patron.

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