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Supporting museums Art we've helped buy The Infant St John the Baptist
The Infant St John the Baptist The Infant St John the Baptist

The Infant St John the Baptist

Antonio Lombardo

Art Funded
1963
Vendor
J Goldschmidt
There are few documented pieces by Lombardo but this work was attributed by the scholar Leonardo Planiscig.

This acquisition marks appreciation of the keepership of Sir Karl Parker.

Provenance

Luigi Grassi, Florence

Bronze

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Art we’ve helped buy at Ashmolean Museum

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Greystone
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Cattle and Haystack, Twilight & Essex Fields
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Catching the Steamer
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Castle Crag, Derwentwater
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Capriccio Landscape with Figures, a Bridge over a Stream
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Caitya sculpture
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Cain & Abraham and Isaac
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Bust of Thomas Howard, Earl of Arundel
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Bell salt
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Basin with the arms of Spannocchi
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Autumn Landscape
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Attendant bodhisattva
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Assyrian relief
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Apples in a Bag
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Animals and birds in a landscape
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Anglo-Saxon bowl
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Angelica encountering the wounded Medoro
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Angel Carrying a Torch
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An Allegory of Justice and Vanity
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Album of portrait drawings
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Album of drawings
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Abraham and Hagar Surprised by Sarah
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A Wooded Valley, Painswick & Old Water Mill, Bridgenorth
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A View of Southampton water
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A View of Mr Finche's Park
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A view of Golding, Constable's House at East Bergholt
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A Study of Henry Irving as Becket
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A Seated Bodhisattva
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A painted fan on silk
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A Man leading a Horse
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A Highland Scene - 'In Connernara'
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A Head of a Woman
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A Farmyard with a Well
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A drawing of the Virgin and Child
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A collection of Japanese metalwork sword fittings
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A collection of 45 gold snuff boxes and objects of vertu
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A Bowl of Pears & Seated Woman
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A Beach Scene with Fisherfolk
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9th century seated Buddha
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3 Drawings
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21 pieces of Meiji ceramics
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2 Imari plates
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10 landscape drawings
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1) Coastal scene with coach and retinue; 2) Coastal scene with ship aground
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Nominally inspired by Lucretius' De rerum natura, Piero di Cosimo's The Forest Fire takes its scientific subject and embellishes it with fantastical creatures from the artist's imagination: Bulls, bears, lions and deer-like creatures with human faces all flee wearily from a fire.

Rubens' portrait of Thomas Howard, 2nd Earl of Arundel dates from about 1629. The Earl was a great collector, and Rubens had painted the earl's wife a few years earlier on a visit to Antwerp. This drawing in pen and ink with a chalk base is unusually informal, reflecting perhaps the comfortable relationship between artist and patron.

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Image credit

1 . The Infant St John the Baptist

© Ashmolean Museum

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