Supporting museums Art we've helped buy Untitled (Figure with Raised Arm)
Untitled (Figure with Raised Arm) Untitled (Figure with Raised Arm)
© The artist

Untitled (Figure with Raised Arm)

Georg Baselitz

Art Funded
1990
Dimensions
253 x 71 x 46 cm
Vendor
Galerie Michael Werner
Born Georg Kern near Dresden in East Germany, Baselitz adopted the name of his birthplace in 1961.

He began his career as a painter poised between abstract and figurative art and concerned always to reconnect modern German art with its historical and visual roots. Around 1979, Baselitz turned to sculpting in wood. In this work, he has modelled the figure by direct hacking and gouging and then painted it, echoing a tradition that descends from comparable sculptures by Ernst Ludwig Kirchner and from German Renaissance limewood sculpture.

Provenance

Georg Baselitz.

Limewood & oil paint

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Scottish National Gallery of Modern Art

73/75 Belford Road, Edinburgh, Midlothian, EH4 3DR
0131 624 6200
Website

Opening times

Mon – Sun, 10am – 5pm Closed 25 & 26 Dec
(August - Mon – Sun, 10am – 6pm)

Art we’ve helped buy at Scottish National Gallery of Modern Art

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In 1994, the Art Fund helped the Gallery to acquire Tracey Emin's Family Suite: 20 drawings dealing with the artist's archetypal themes of sex, her family, her abortions and Margate.

Joan Miró's Maternité is celebrated as one of the masterpieces of his early maturity. A symbolic homage to fertility and womanhood, the painting's wit comes from its highly distilled images. A female ideogram stands in for a woman, each breast supporting a wriggling child. A sperm-like creature at the centre of the painting reflects the male's sole role in the process.

Six life-size cast iron figures appear at various points along the Water of Leith, from the Scottish National Gallery of Modern Art to the harbour where the river meets the sea. These form Anthony Gormley's 6 Times – the first publicly sited work by the artist in Scotland. Gormley said of the project: 'It is wonderful to have the chance to make a work that connects so many different parts of this great city. When you see one you will, perhaps, remember another. The idea is to connect to time, weather and place and play part in the making of a scene, a picture, a reality, incomplete without you: the observer.'

A major rehang in 2015 saw the creation of a memorial display celebrating the work of the Scottish sculptor, painter and printmaker William Turnbull, who had died three years earlier. Included are a set of paintings and bronze sculptures acquired by the gallery in 2014 with Art Fund support. It also features 23 works on paper – displayed here for the first time – which were presented by the artist’s family through the Art Fund.

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