The piece is typical of Professor Ivor Abrahams work which sits effectively between painting and sculpture.

Abrahams uses Trompe-l'oeil, presenting a variety of views by playing with rearrangement of images. The work epitomises AbrahamsÂ’ post-Cubist architectural structures. Presented by Professor Ivor Abrahams and Evelyne Abrahams through the Art Fund.


Professor Ivor Abrahams.

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