His work explores biological forms, in particular scientific imaging and the relationships between life and artifice that it engenders. This painting is part of a body of work from 1999-2000 that was included in an exhibition organised by the Wellcome Trust called Growth & Form, that explored “the influence of scientific thought on contemporary art [and] how art has the potential to influence scientific imaging.” DÂ’Arcy Thompson was the key starting point for the exhibition, and Wright had been influenced by his work since his student days. The imagery of this painting is reminiscent of cellular forms, yet its layers of overlapping images suggest a blurring of what is solid and what is transparent. The technical process of making the work is a major concern to the artist, who uses different paints and techniques to create works that have a three-dimensional quality but one that is impossible to pin down on closer inspection. The gradual growth and form of the painting itself is of vital importance in MarkÂ’s work, echoing DÂ’ArcyÂ’s own ideas. Presented by the Art Fund and the Esmée Fairbairn Foundation

Provenance

The artist.