Art Funded by you
Four-Piece Composition (Reclining Figure)
, 1934

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This important early carving fills one of the few major gaps that remained in Moore's representation at the Tate in 1976. Moore began making multi-part compositions in 1934 and this very abstract treatment of the reclining figure, a recurring theme in his work, was one of the first he attempted. Fragmentation and abstraction were ideas of crucial concern to European avant-garde artists at this period.
More information
Title of artwork, date
Four-Piece Composition (Reclining Figure), 1934
Date supported
1976
Medium and material
Alabaster
Dimensions
18 x 45 x 17 cm
Grant
5000
Total cost
54000
Content note: This object record is part of our archive and has not been updated since it was first published. It may contain inaccurate information or outdated language. Please get in touch if you think this record should be amended.
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