Painting of famous racehorse bought by Bowes
- 12 September 2011
The Bowes Museum at Barnard Castle has backed a winner with its latest acquisition, an oil painting of a successful racehorse owned by the museum's founder, John Bowes.
The Bowes Museum at Barnard Castle has bought an oil paintingÂ of a successful racehorse owned by the museum's founder, John Bowes, with help from the Art Fund.
Bowes, still universally recognised as one of the most successful stud owners and racehorse breeders of the 19th century, was a keen race-goer known as the â€˜mystery man of the British turf.â€™ Around 1852, the year his horse Daniel Oâ€™Rourke won the Epsom Derby, Bowes commissioned leading equine portraitist Harry Hall to paint the â€˜little ponyâ€™, as he was affectionately known owing to his lack of stature.
The painting, Mr John Bowesâ€™ Daniel Oâ€™Rourke with Frank Butler Up, depicts, as implied, the horse with jockey Butler on board. The work also depicts a distinguished gentleman in top hat and tails, who is holding the horseâ€™s rug. This is probably a Mr Markwell, recorded as leading in Bowesâ€™ winners during the 1850s.
Daniel Oâ€™Rourke was under 15 hands high, yet Bowesâ€™ trainer John Scott, and Butler the jockey, thought highly of him. And although heâ€™d run a disappointing race in the 2000 Guineas, they held fast to their opinion that he stood a good chance of winning the Derby.
The day of the race dawned with incessant rain, which didnâ€™t lift until just before the start of the race - yet despite this and the horse running at odds of 25-1, well down in the betting against 26 contenders - he justified the trust put in him by gamely battling it out to cross the finish line half a length in front of his nearest rival.
Equine portraiture was in great demand during the 19th Century, not only to adorn the homes of gentlemen who wished to immortalise their winning thoroughbreds, but prints were widely sought after by keen followers of the sport and by publicans who wished to decorate their premises.
Each year Hall produced paintings which were engraved and published to commemorate the winners of the Derby, St Leger, Gold Cup and other classic races. A regular contributor to The Field, The Sporting Magazine and the Illustrated London News, he was in effect a sporting journalist in paint.
it was recently bought at auction by The Bowes Museum for Â£18,000, with the support of the MLA/V&A Purchase Grant Fund, the Art Fund and the Friends of The Bowes Museum.