Lyme Caxton Missal goes on public display thanks to Art Fund help

  • 16 July 2009

From 24 July, visitors to the National Trust's Lyme Park in Cheshire will be able to turn the pages of a remarkable 15th century book using the latest digital technology. The book, entitled The Lyme Caxton Missal, [1] is the sole surviving copy of an exceptionally early printed prayer book, the 'Sarum Missal', published by William Caxton in 1487.

Thanks to the generous assistance of The Heritage Lottery Fund, independent charity The Art Fund (with a contribution from The Wolfson Foundation) and many other organisations and individuals, [3] the National Trust acquired the missal last year.
 
The Missal was used by priests for Mass and the orders of worship from daily prayers to wedding and funeral services. It was one of the first books to be printed in two colours, red and black, which was cutting-edge technology at the time, and the first to use Caxton’s famous woodcut printer’s device.   
 
In Lyme Park’s spectacular library, visitors will be able to view the unique Missal, with its stunning hand-coloured illustrations and fascinating notes and annotations, alongside a cutting-edge digital version. This brings this amazing book to life using the latest version of the British Library’s award-winning ‘Turning Pages’ technology.
 
James Rothwell, National Trust Curator for Lyme Park said:
 
“The Missal was very much a ‘working’ book in daily use – the ‘internet’ of its day for priests - and gives us a fascinating window across 500 years of English history. However, it’s not only a religious prayer book, but contains many handwritten annotations in the margins of its pages which give us more intimate glimpses of the thoughts and aspirations of its owners, the Legh family of Lyme across the centuries.
 
Today’s digital technology also means we can ‘hear’ the 15th century through listening to specially recorded passages from the Missal text being sung. Music was an integral part of the Sarum rite, and the plainchant in the Missal would have been sung by a priest. The use of Missals such as these were banned in 1549, under Edward VI – so to be able to hear today what people at Lyme  would have heard over 500 years ago is a fantastically potent way of connecting with the past”.
 
Sara Hilton, Head of Heritage Lottery Fund North West, said:
"As the earliest printed text that bears Caxton’s trademark, the Lyme Sarum Missal represents an important historic record of the development of printing, whilst within its pages the revisions and annotations illustrate the huge impact the reformation had on people of the time. Thanks to our funding, the National Trust will be able to give more people the opportunity to explore and enjoy this wonderful heritage treasure - both now, and for many generations to come."
 Andrew Macdonald, Acting Director of The Art Fund said:
 
“The Lyme Missal is a beautiful work of art and it gives us an extraordinary insight into religious life in 15th century Pre-Reformation England. The Art Fund is delighted to have helped return this remarkable book to its original home in Lyme Park”.
 
To celebrate the return of the Missal to Lyme Park, and as part of an ongoing project to make rooms in its houses more accessible to visitors, the National Trust decided to recreate the 19th century décor of the library at Lyme Park as it would have been when the Missal was rediscovered and put on display. This has so far included the re-decoration of the library’s plaster ceiling to look like it is made of oak, and commissioning new gaufraged velvet for the upholstery and library curtains from a specialist textile company, LELIEVRE in France, which used specially commissioned rollers to produce the pattern on the fabric based on the original 1840s design in the library. Much of the work is being done in front of visitors to the house.
 
The final pieces in the restoration jigsaw will include the copying of original furniture for use by visitors and the re-papering of the library walls with authentic replica wallpaper based on original fragments discovered in the room, and from imprints of the earlier design left on the wall. This is planned to take place over the coming autumn/winter period and will be completed in time for the 2010 opening season.
 
David Morgan, General Manager of Lyme Park said: "We’re delighted that the Missal can now be seen and enjoyed in the splendid setting of the library.  The careful and painstaking work to restore the room  to its 19th century appearance is still continuing  and provides a fascinating insight into the Trust’s work and the traditional techniques of its craftsmen. The library is already a really welcoming place where visitors can sit down and read a book – and simply enjoy the room.
 
The return of the Missal to Lyme Park has not only re-united an historic book with its original setting - it has also ensured that both the book and the library are now accessible to the public in ways never before possible".
 
The Legh family of Lyme Park [2] owned the Missal from soon after it was printed in the late 15th century, but for many years the book was hidden away, only to be rediscovered by a visiting scholar to Lyme in the late 19th century, when the Missal was put on display in the library. It was removed from the house by the family in 1946, to return when the National Trust acquired it last year.

Lyme Park house is open Friday – Tuesday, 11am – 5pm until 1 November. The gardens and park are open daily.  For details call 01663 762023 or www.nationaltrust.org.uk/placestovisit and type in 'Lyme Park'. A DVD presentation giving the story of the Missal project can be accessed from the Lyme Park home page from 24 July.

Ends
 

Notes to Editors
                                                                                                           
 
[1] The Sarum Missal  
 
William Caxton (1422-1491) was England’s first printer. The 1487 Sarum Missal (STC 16164) was contracted out by him to the French printer Guillaume Maynal, and was produced by him in Paris.  This is the earliest known example of an English publisher contracting out work to an overseas collaborator, a phenomenon which later became common.  It is also the first book printed in Paris in two colours – then cutting-edge technology – and the first book with Caxton’s famous woodcut publisher’s device.    

Printed throughout in red and black, the book contains 243 of the original 266 leaves, and two full-page hand-coloured woodcuts (a Crucifixion and a God the Father enthroned).  Additional decorated initials have been added by hand, though some were never completed.  The Missal’s nineteenth-century binding incorporates fragments of the fifteenth-century original. 

The Sarum rite or use applied to the liturgical customs, rites and calendar associated with the medieval cathedral of Salisbury, which was also known as Sarum.
 
[2] The Sarum Missal and Lyme Park
 
The Missal was removed from Lyme Park when the Legh family left in 1946.  Many country house libraries lost many of their best books in the difficult period after the war, often sold to America.  At Lyme the pattern was different.  In the late 1940s there was no intention that the Library would ever be open to the public, so the more ordinary books were dispersed, and the most important retained by the Legh family.  In recent years the Missal has been held for safe-keeping in the John Rylands University Library in Manchester, while other parts of the historic library have returned to Lyme.  There was general agreement in Manchester, at the Trust and from the Legh family that the Missal should not only stay in the north-west, but it should also go on display in its historic home.  


The many annotations and notes which have been added to the printed text of the Missal make clear that this was very much a working liturgical book, used to say Mass.  It was not a trophy or a collectable. The annotations are in several different hands, and it is hoped that future research might reveal to whom they belong.  It is possible that the original owner may have been the priest Sir Piers Legh (ca.1455-1527), who  founded  nearby Disley church  as a chantry chapel .  If so the Missal could have been at Lyme Park ever since it was printed, as Sir Piers was the first member of Legh family to make his principal residence there.  It has certainly been in the hands  of  the Legh family since at least 1508. The next earliest continuous ownership of a book printed by Caxton dates back only to about 1530.

   
The Missal was rediscovered at Lyme in 1874 by William Brenchley Rye, of the British Museum, and was displayed in a glass case in the Library in late Victorian times.  This book is the only near-complete copy of the first edition of the Sarum Missal to survive. Only fragments of one other copy survive, at Durham University.    
 
[3]  Funding Partners
 
The following organizations and individuals supported the acquisition of the Lyme Sarum Missal:

The Heritage Lottery Fund, independent charity The Art Fund (with a contribution from The Wolfson Foundation), Royal Oak Foundation, The Friends of the National Libraries, The Foyle Foundation, The Pilgrim Trust, The Robert Gavron Charitable Trust, Eric Nilson and S. Jeffrey Mostade, in memory of Donald and Carol Campbell, The Peak District Centre, (a Voluntary Association of National Trust Members).

The Missal was acquired in 2008 at a net cost of £465,000. The total cost of purchase, conservation, display and re-presentation of the library is £669,000.
 
 
The Art Fund is the UK’s leading independent art charity. It offers grants to help UK museums and galleries enrich their collections; campaigns on behalf of museums and their visitors; and promotes the enjoyment of art.  It is entirely funded from public donations and has 80,000 members. Since 1903 the charity has helped museums and galleries all over the UK secure 860,000 works of art for their collections. Recent achievements include: helping secure Titian’s Diana and Actaeon for the National Galleries of Scotland and the National Gallery, London in February 2009 with a grant of £1 million; helping secure Anthony d’Offay’s collection, ARTIST ROOMS, for Tate and National Galleries of Scotland in February 2008 with a grant of £1million; and running the ‘Buy a Brushstroke’ public appeal which raised over £550,000 to keep Turner’s Blue Rigi watercolour in the UK. For more information contact the Press Office on 020 7225 4888 or visit www.artfund.org .
 
The Art Fund is a Registered Charity No. 209174

Using money raised through the National Lottery, the Heritage Lottery Fund (HLF) sustains and transforms a wide range of heritage for present and future generations to take part in, learn from and enjoy. From museums, parks and historic places to archaeology, natural environment and cultural traditions, we invest in every part of our diverse heritage.  HLF has supported more than 28,800 projects, allocating over £4.3billion across the UK, including over £480million to the North West alone. Go to www.hlf.org.uk for further details.

From conservation to communities - celebrating 15 years of lottery investment

This autumn the National Lottery celebrates its 15th anniversary. Thousands of people regularly buy a lottery ticket which generates £25million every week for good causes. It's thanks to lottery players that the Heritage Lottery Fund (HLF) has been able to support nearly 30,000 projects - to the tune of £4.3billion - the biggest concentrated investment ever made into the UK's heritage. These include national institutions, historic houses, public parks, wildlife and traditional skills.

The National Trust has benefited from over £65million of HLF money over the years for a wide range of exciting projects including: Tyntesfield, one of the country's most spectacular Victorian treasures; Birmingham's 19th-century courtyard of working people's houses - the 'Back-to-Backs'; and Belfast's famous backdrop of Divis and the Black Mountain.

The Wolfson Foundation is a charitable foundation set up in 1955. Grants are made for the advancement of science and medicine, health, education, the arts and humanities. As a general policy, funding is provided to back excellence, to act as a catalyst and to provide for promising future projects which may currently be underfunded. Last year the Foundation distributed some £40 million. For more information visit www.wolfson.org.uk
 
Lyme Park is owned and managed by the National Trust, with financial support from Stockport District Council. It is set in 1400 acres of moorland, woodland and parkland on the edge of the Peak District. Originally a Tudor House it was transformed by the Venetian architect Leoni into a stunning Italianate palace. It was acquired by the National Trust from the Legh family in 1946.  The opulent 17-acre Victorian garden is surrounded by a medieval deer park, whilst the house contains superb Mortlake tapestries, woodcarvings attributed to Grinling Gibbons and an important collection of English clocks. Lyme appeared as ‘Pemberley’ in the 1995 BBC TV adaptation of Jane Austen’s ‘Pride & Prejudice’ starring Colin Firth.
 
The National Trust, Europe’s biggest conservation organisation, looks after special places across England, Wales and Northern Ireland for ever, for everyone. People and places are at the heart of everything it does. Over 3.5 million members, 50,000 volunteers, 500,000 school children, and millions of visitors, donors and supporters help the Trust look after its 300 historic houses and gardens, 700 miles of coastline and 250,000 hectares of open countryside.  There are over 150 historic libraries in Trust properties, containing in excess of 200,000 books.  For further information go to www.nationaltrust.org.uk

The National Trust is a Registered Charity No. 205846.