Victorian Treasures from the Cecil French Bequest showcases a curated selection of 21 paintings and drawings by Victorian masters from the extraordinary collection of artist and collector Cecil French (1879–1953), which was bequeathed to the public after his death. This exhibition places the artworks in context, exploring French as a collector during an unsettling time where Victorian art completely fell out of fashion.

At the centre of the exhibition are seven paintings by Edward Burne-Jones (1833-1898), who lived in a remarkable studio-home, The Grange, on North End Road (West London). It’s this local connection which resulted in 52 artworks of French’s collection being donated to the London Borough of Hammersmith & Fulham, some rarely seen before.

Highlights include The Wheel of Fortune (1875), one of Burne-Jones’s best-known compositions. At least seven versions of the same subject exist, the last of which was a large-scale oil painting currently at the Musée D’Orsay, Paris. The version in the exhibition was produced around the same time Burne-Jones began working on the 1883 oil painting.

Apricots (1866) by Albert Moore (1841-1893) is one of the artist’s earliest paintings in the Aesthetic style, an artistic movement in the late nineteenth century promoting ‘art for art's sake’. Moore exhibited Apricots alongside another aesthetic painting, Pomegranates, at the Royal Academy in 1866. Cecil French later acquired both paintings, reuniting them in his collection. (Pomegranates is now in the Guildhall Art Gallery, London).