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Bringing to light a forgotten figure of Italy's late Renaissance era.
Federico Barocci was one of the great colourists of the sixteenth-century, renowned for his emotive brushwork that was said to have inspired Rubens.
A complicated figure suffering from extreme paranoia (for many years he believed he had been poisoned), Barocci had a remarkable imagination and was an obsessive draughtsman, creating some of the most beautiful religious paintings of the era celebrated for their human warmth and spirituality. This exhibition re-evaluates this extraordinary, almost forgotten artist.
The exquisite study for Barocci's altarpiece The Institution of the Eucharist, acquired by the Fitzwilliam Museum with Art Fund assistance, plays an important role in the show, and can be viewed in front of the finished work. In our video, curator Carol Plazzotta explains the significance of the ArtFunded work to the show and to our understanding of Barocci's methods.
An opportunity to see The Entombment of Christ from the Marchigian seaside town of Senigallia and Last Supper painted for Urbino Cathedral, both have never left Italy before.
Federico Barocci, Self-Portrait, about 1595–1600
© 2013. Photo Scala, Florence - courtesy of the Ministero Beni e Att. Culturali
£6 with National Art Pass (standard entry £12)
Open daily, 10am – 6pm (Fri, 10am – 9pm)
Closed 24 – 26 Dec and 1 Jan
Book online: http://www.nationalgallery.org.uk/whats-on/exhibitions/barocci-brilliance-and-grace/*/tab/1
or call: 020 7747 2885