As the Trustee body of The Art Fund, the Board has the primary task of
considering applications from museums and galleries for grants towards the
purchase of works of art, and offers of gifts as well as bequests. Members
include art historians, collectors and others with relevant artistic or business
expertise. The combined knowledge of the Board covers art of all kinds and
periods. When additional specialist knowledge is required, members of the
Advisory Council and other experts may be consulted.
Elected 2004
Positions include: Director, Daily Mail and General Trust plc; Director, Sofina SA; Member of the Supervisory Board of Bank Gutmann; Member of The Blackstone Group European Advisory Board; Fellow of Eton College; Member of the Finance Committee of Trinity College, Cambridge; Honorary Fellow of St Hugh’s College, Oxford; Chairman of the Tate Gallery Trustees, 1998–2004.
Elected 2004
Positions include: Chairman, Zuckerman & Associates Ltd; Director Pall Mall Capital Ltd; Director, BlackRock Hedge Funds; Board Member, Biodiversity International, Rome; Treasurer, International Women’s Health Coalition, NY.
Favorite ArtFunded work
I have always enjoyed the works of Duncan Grant. Charleston in its beautiful setting evokes the spirit of the '30s and it seems appropriate that the Treasurer should select an image of Maynard Keynes. It is delicate, poignant, and colourful and appeals to me as a painting in its own right.
Elected 1998
Positions include: Director, Government Art Collection, 1978–97. Exhibitions include: Sickert Paintings, Royal Academy, 1992. Publications include: Sickert: Paintings and Drawings, 2006; Perfect Moderns, 2000.
Elected 2009
Positions include: Director, Lord North Street Limited Private Investment Office 2004– ; Non-Executive Director Pan-Holding, Luxembourg 2008-; Managing Director, Head of Private Wealth Management, Deutsche Bank London 2001–4; Park Place Capital Ltd, 1998–2000; Senior Adviser, The Art Loss Register, 1997–2000; President and Founder, Auction Forum LTD,/Publishing Agent for The Art Newspaper USA & Corporate adviser to Art Forum Magazine 1989-1996; S.G.Warburg,1979-85 - appointed to Board 1984. Publications include: Auction Forum USA/Forbes Magazine, Editor/Contributing Writer 1989–92.
Elected 2008
Positions include: Director of the Henry Moore Foundation, 2007-; Keeper and then Director of the Scottish National Gallery of Modern Art, 1987–2007; Curator (Modern Collection), Tate Gallery, 1979–1987. Publications include: Magritte, 1979; Kokoschka, 1992; Lucian Freud on Paper, 2008. Exhibitions include: Francis Bacon: Portraits and Heads, Scottish National Gallery of Modern Art, 2005; Lee Miller, National Portrait Gallery, 2005.
Elected 2005
Positions include: Emeritus Professor of Fine Art, Goldsmiths College, University of London, 2001-; Tate Trustee, 1990–9; British representative at 24th São Paulo Bienal, 1998. Exhibitions include: Michael Craig-Martin: A Retrospective, Whitechapel Art Gallery, 1989; Michael Craig-Martin: Works 1964-2006, Irish Museum of Modern Art, Dublin, 2006-7; Signs of Life, Kunshaus Bregenz, 2006; A is for Umbrella, Gagosian Gallery, London, 2007 . Commissions include: The Fan, London, 2003. Architectural collaboration with Herzog & de Meuron, Laban Dance Centre, London 2002; Parade and One World, European Investment Bank, Luxembourg, 2008; Street Life, Woolwich Arsenal DLR Station, 2008.
Elected 2005
Positions include: Surveyor of The Queen's Pictures,1988–2005; Governor of Gainsborough’s House, 2005–; Trustee of Living Paintings Trust, 2005–; Patron, Living Paintings Trust, 2009-; President, NADFAS, 2005–; Assistant Keeper, Ashmolean Museum, Oxford (Department of Western Art), 1968–88; Publications include: Catalogue of the Earlier Italian Paintings in the Ashmolean Museum, Oxford, 1977; Camille Pissarro, 1981; Enchanting the Eye: Dutch Seventeenth Century Paintings in the Royal Collection, 2004.
Favorite ArtFunded work
The Forest Fire (c 1505) by Piero di Cosimo was acquired in 1933 by the Ashmolean Museum, Oxford, with the help of The Art Fund. It formed part of a series of pictures illustrating th early history of man based on a long poem De Rerum Natura (On the Nature of the Universe) by the Roman philosopher-poet Lucretius. It is the subject of much, often heated, debate, which is summarised in my Catalogue of the Earlier Italian Paintings in the Ashmolean Museum (1977).
Elected 2008
Positions include: Co-director, Artangel, 1991 - and Artangel Media, 2000 -; Trustee, Paul Hamlyn Foundation, 2003 -; Curator, Institute of Contemporary Arts, 1986 – 1990; Member of the International Advisory Boards of the Museu de Serralves in Porto, the Atelier Calder in Saché and Fondazione Antonio Ratti, Como. Publications include: Writings on Thomas Struth (ed), 2009; Roger Hiorns: Seizure, 2008; Thomas Schütte: Political Work (contrib), 2007; Francis Alÿs: Seven Walks (ed), 2005; Juan Muñoz: Double Bind, 2001. Exhibitions include: Susan Hiller, Baltic, 2004.
Elected 2000
Positions include: Disney Professor Emeritus of Archaeology, University of Cambridge; Director, McDonald Institute for Archaeological Research, 1990–2004. Trustee, British Museum, 1991-2001; Master, Jesus College, Cambridge, 1986-97;. Publications include: Loot, Legitimacy and Ownership: The Ethical Crisis in Archaeology, 2000; Figuring it Out, 2003; Prehistory: The Making of the Human Mind, 2008.
Favorite ArtFunded work
Anselm Kiefer's Let a Thousand Flowers Bloom is more than a painting: festooned with ageing brambles and decaying roses, it seems to evoke a remote past, although in fact the painting depicts a larger-than life staute of Chairman Mao, such as Kiefer would have seen in China during the early 1990s. But the flowers have faded now. Like his earlier confrontations with his own twentieth century German inheritance, it seems momentous, tragic perhaps, and in this case certainly unresolved. This is a past, not yet faded from memory, not yet buried, yet returning to haunt us. Here a great artist interrogates the legacy of one of the towering figures of the twentieth century. As in many of Kiefer's paintings, time itself seems here an ominous presence. Perhaps time will tell.
Elected 2005
Positions include: Deputy Surveyor of The Queen’s Works of Art, 1996–; Hon Editorial Secretary, Furniture History Society, 2005–; Historic Buildings Representative, National Trust (North Wales/Thames & Chilterns regions), 1985–95; Research Assistant, The Treasure Houses of Britain,Washington, DC, 1983–5. Publications include: The Wisdom of George the Third, 2005 (ed).
Elected 2007
Positions include: Integrated Marketing and Communications Consultant; Head
of Marketing, Communications and Audiences, BBC Television, 2005–6; Head of
Communications, BBC, 2000–7; Head of Corporate and Public Relations, Channel 5,
1996–9; Publishing Director, Redwood Publishing, 1994–6; Director, Press and
Publicity, BSkyB, 1991–94. Trustee, National Foundation for Youth Music, 2003–.
Fellow and Vice Chairman, Royal Television Society.
Elected 2000
Positions include: Director, Ludgate Investments Ltd and other companies including Hightex Group plc; Hon Treasurer, Friends of the National Libraries; Friends of Lambeth Palace Library and the National Manuscripts Conservation Trust. Publications: contributions to Dictionary of National Biography.
Elected 2000
Positions include: Executive Director, Gilbert Collection, 2002–8; Director, Hermitage Rooms at Somerset House, 2001–2; Assistant Director (Collections), Victoria and Albert Museum, 1994–2000, and posts in Cardiff and Liverpool.
Elected 2006
Positions include: Märit Rausing Director, Courtauld Institute of Art, 2004-; Director of Collections and Keeper, Asian Department, Victoria and Albert Museum, 2001-4; Executive Trustee, Nehru Trust for the Indian Collections at the Victoria and Albert Museum; Trustee, Sheffield Galleries & Museums Trust; Trustee, Textile Conservation Centre Foundation; Trustee, Indian National Trust for Art and Cultural Heritage (UK).
Elected 2005
Positions include: Pevsner Professor Emeritus of History of Art, Birkbeck College, University of London, 2003-; Exhibitions include: Samuel Palmer, The British Museum, 2005. Publications include: Romanticism and Art, 1994.
Elected 1988
Positions include: Trustee, Kensington and Chelsea Public Arts Board, 2006-; Vice- Chairman, Serpentine Gallery, 1993–; Founder Chairman, Patrons of New Art, 1982–7; Trustee, Tate Gallery Foundation, 1987–; Director, Felicity Samuel Gallery, 1972–82.
Favorite ArtFunded work
My favorite work of art is Auerbach's Park Village East-Winter. I sat opposite it for a whole meeting and its energy, exuberance and colour were wholly addictive. A winter's day; not quiet, but full fo warmth, vibrancy and domestic indicidents interplaying with dark and jagged drama.